The films have always done an excellent job of distancing the sociopathic/psychopathic tendencies of their killers from horror fandom. It’s as if no one on the creative team had ever watched a Scream film before.
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To top things off, the series suggests that horror films can be used to appease or tame sociopathic tendencies in its (sociopathic) viewers, but when they’re not hardcore enough to satiate our vicious bloodlust, we’ll go on a killing spree. Did you know that sociopaths love horror movies? No? Well, Scream: Resurrection is here to school you on that subject. Never before have I seen a television series disparage its audience to this degree. That one bit of dialogue reinforces the stereotype non-horror fans associate with us all too often and because of it, Scream: Resurrection now has the distinction of not only being one of the most boring horror television shows ever created but also one of the most offensive. It’s a tiny line that takes up mere seconds of screen time, but screenwriter/showrunner Brett Matthews is being insulting at best and downright irresponsible at worst.
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I mean, why do you think I love horror movies so much?”ĭo you feel mocked? You should. In case you glossed over it, here it is again: C’mon, that was a killer monologue! Literally!įocus on that part in bold, would you? Because no other line of dialogue spoken in this finale matters. Why should Michael Myers get to have all the fun when I could be a better monster because I’m not just some actor behind a mask. I mean, why do you think I love horror movies so much? I watched every single one I could get my hands on until I realized it just wasn’t quite enough. Unlike you and your little “Deadfast” besties, I don’t lie to myself about it… off, nothing changes! I always knew I was a sociopath. You see, while Beth being the killer seems clever (unless you count Scream 4‘s Charlie, Screamhas never had the Randy-type character be the killer before), Beth’s motive monologue is problematic to say the least. It’s certainly a (boring) choice, but Jamal isn’t the problem with Resurrection‘s finale. Jamal’s motive is essentially the same as Roman’s ( Scott Foley): He’s upset because his daddy loved his stepbrother more than he loved him. Yes, out of all of the Scream films to rip off, Scream: Resurrection chose to rip off Scream 3. When he met Beth, who reveals herself to be a sociopath, she fostered his jealousy into a murderous rage and used him to start a killing spree because, well, she just likes killing people. Blige) and began to treat Deion like more of a son than Jamal. Jamal was upset because his father married Deion’s mother ( Mary J. ***SPOILERS for the finale of Scream: Resurrection***Īs revealed in the sixth and final episode of Scream: Resurrection, the killers are revealed to be Deion’s ( RJ Cyler) step-brother Jamal ( Tyga) and Goth-girl horror expert (and Resurrection‘s Randy stand-in) Beth ( Giorgia Whigham). However, it would be prudent to discuss the one aspect of the finale that likely won’t sit well with many horror fans (you know, the show’s target audience). This is a bad show and that’s all you need to know. I could spend this review picking apart the series scene by scene, but that would be a waste of my time and yours. Each set of episodes was worse than the last, with the finale being a particularly egregious miscalculation of viewer expectations (Did you want Deion’s football scholarship drama to take up half of the finale’s runtime? Scream: Resurrection seems to think that you did.). My, what a difference four episodes can make. It’s bad, but at least it’s entertaining.”
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“Scream: Resurrection benefits from not being boring. Two days ago, I wrote the following in my review of Scream: Resurrection‘s first two episodes: The lengthy delay between seasons (almost three years) should have been all we needed to know: this “Three-Night Event’ was VH1’s way of dumping a turd of a season and wiping their hands clean.
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Well, there you have it: the possible conclusion of the Scream franchise, which will be remembered as the television equivalent of a wet fart in the annals of horror.